Digital Imaginaries of the South: Stories of Belonging and Uprooting in Hispanic Cinemas
Universidad Carlos III de Madrid / Casa de América (Madrid) International Film Conference (IV TECMERIN Academic Meeting)
Over the past 20 years, digital technology has become the standard in the film production, circulation, and consumption processes. Within this context, Hispanic cinemas have undergone deep changes, both within the countries with an established cinematic tradition, as well as in those that, due to several reasons, had not developed a robust cinematography throughout the 20th century. The analogue paradigm became deeply contested and a new digital framework, which was widely discussed by institutions, film critics, and academics, emerged. This moment coincides with the widespread generalization of national and transnational neoliberal policies that, far from backing diversity, have increased the gap between those “connected” and those “disconnected” (to draw upon Néstor García Canclini’s term); a gap also experienced by those that, even if connected, still occupy subaltern positions.
The speeding of these processes has resulted in an increase of mobility, at work both in the geographical displacement of film professionals and in the emergence of new narratives models that deal with questions of belonging and uprooting, springing precisely from these experiences of displacement. The cinemas of the Global South, and, most specifically, Hispanic cinemas, have actively taken part in these processes, ultimately playing a relevant role in terms of narrative and aesthetic models, and the production, circulation and consumption of film.
Following the main research axes of the R+D project “Transnational relations in Hispanic digital cinemas: the axes of Spain, Mexico, and Argentina” (CSO2014-52750- P), the International Conference Digital Imaginaries of the South: Stories of Belonging and Uprooting in Hispanic Cinemas welcomes proposals across the following lines of inquiry:
The representation of migrations, displacements, exile, and diaspora.
Transnational flows of cultural, economic, and human capital in the production and circulation of cinema.
The reconfiguration of the regional, national, and transnational Hispanic interactions within the new century.
Public discourses and film policies within the region.
Hybridization and identity in the narratives on colonization, decolonization, and revolutionary processes.
Activism and digital praxis.
Genres, authors, stars.
Film cultures and cinephilia: festivals, publications, and digital platforms.
Minor cinemas: indigenismo, experimental, and/or militant cinemas.
Historiographic, theoretical, and methodological problems of so-called Hispanic, Iberian, and Latin American cinemas.
Presentations should be no longer than 20 minutes and may be in Spanish, Portuguese or English. Those interested in participating in the conference should send a title and an abstract proposal of 250 words to email@example.com, before 28 May 2017. Please send the abstract as an attachment to your e-mail. The file must include the title, name of the presenter (and co-presenters if any), institutional affiliation, and e- mail. Proposals for panels (4 papers or 3 presentations plus respondent) are welcome and must include a title for the panel itself and the different papers, the names of the participants and a brief summary of both the panel and the individual proposals.
2018-2019 Fulbright U.S. Scholar Competition: Awards in Communications
· Swaziland: Mass Communication and Broadcast Journalism
· India: Fulbright-Nehru Distinguished Chair (All Disciplines)
· Zambia: Journalism and Broadcasting
Applicants must be U.S. citizens and the current competition will close on 1 August 2017.
This notice serves as the call for papers for the South African Communication Association (SACOMM) annual conference for 2017
The SACOMM conference will be hosted by the School of Journalism and Media Studies at Rhodes University in Grahamstown on 31 August – 1 September 2017.
Abstracts are hereby invited for the SACOMM 2017 conference.
SACOMM 2017 CONFERENCE THEME
Locating the power of communication in a time of radical change
The post-truth, and decidedly digital, world is rapidly shifting the way we understand ourselves as media producers and consumers. We see billions of people now with communicative power in their hands actively shaping our world, its politics, its societies, its beliefs and ideas. We see people making their own audiences and speaking directly to them without recourse to the institutions of communication. We see the president of the world’s most powerful nation speak his thoughts and feelings directly to his followers via social media with no filter. Communication institutions of all kinds are being forced to prove their worth and usefulness and account for their methods, particularly when these methods are of the fact-based, verification variety. But media institutions of all kinds are compelled to adjust their social role, to work with and alongside new platforms and to think of their audiences as active and capable of speaking back, or even as competitors. At SACOMM 2017 we shall use the ‘post-truth’ moment as a backdrop against which to explore the idea of the power of communication at this moment in South Africa’s history. As global and local political, cultural and economic antagonisms and modes of resistance are ever-more visibly and quickly processed via the media.
The following questions are suggestive of topics to provoke presentations and conversations:
· What is truth? In what ways is truth under assault? Have we lost the power to appeal to fact-based reasoning as a ground for our public, social and political deliberations?
· Communication in its multiple forms is a significant power in our world. But is communication devoid of power in some circumstances?
· How do we think about the full spectrum of communication in this moment? Those who talk, those who transmit, those who listen, the many platforms, the high number of channels, the many forms of consumption and production.
· How do we rethink, in this moment, the ethical dimensions of communicative power? How do we reframe or reimagine the power of the audience to reject, disdain messages, the power to refuse to listen and alter one’s position. How do such questions matter in an era in which freedom of expression is often used as a weapon to force through speech that takes little account of truth and of the values and needs of audiences?
· The power of communication is not just simply the power of making messages, it is also a power to persuade, to grip the imagination, to provoke, to unsettle, to disrupt, to redirect. How do we come to terms with this invisible and often unacknowledged form of this power?
· The communication landscape/environment is very complex now. Minefields open up where different communication paths and social roles overlap/intersect.
· The power to resist change, the reactionary and the resulting messages. What about those who opt out and go into echo chambers? Complicated question: exposure and choice.
· Anger, emotion and outrage: which outrage is legitimate when everything is presented as a cause demanding a response?
· The personal is public and political in volatile and sometimes diabolical ways. The collapse between personal and political.
· In all this manic busy-ness, how do we open up spaces for listening, changing minds, adjusting positions?
· How do we think about the future of the communications professions? How do we continue to educate practitioners and theorists for the future?
Category 1: Full 20 minute conference paper presentations
Category 2: Poster presentations
Category 3: Panel discussion sessions and/or roundtable/workshop proposals
Academics and practitioners can submit abstracts for categories 1 – 3.
Emerging scholars (Honours, M.A. and Ph.D. students) can submit abstracts for categories 1 and 2.
ABSTRACT SUBMISSION FORMS
All abstracts must be submitted on the correct abstract submission form. Submissions which are not submitted on the correct form will not be accepted. Incomplete submissions will not be accepted.
Submission deadline: 15 May 2017.
Deadline for electronic submission of all abstracts for peer review and other proposals: 15 May 2017. The conference organisers will notify authors about the status of their contributions via e-mail by end of June 2017.
A call for registration with further details about the conference will be released in July.
Conference theme: The conference theme gives an indication of the topic of discussions during plenary sessions at the SACOMM annual conference. Individual abstract submissions are not required to adhere to the conference theme.
SACOMM has six different streams. Please indicate which stream your abstract submission should be allocated to on your abstract submission form.
Media Studies and Journalism
Communication education and curriculum development (CECD)
Communications advocacy and activism (CAA)
Ewha Womans University, Division of Communication and Media (EWHA) and The Korean American Communication Association (KACA) jointly award outstanding research proposals focusing on Korea-related communication and/or media studies. A total of $3,500 will be awarded to the winning recipient(s). Ideally, one or two faculty-led projects (faculty as a PI) will be competitively selected to receive up to $3,500. The half of the award will be distributed at the beginning of the award cycle (August 2017) and the remaining half will be distributed at the completion of the study within two years (August 2019). The research findings should be presented at one of the KACA research sessions at NCA, ICA, or AEJMC in 2018 or 2019.
All material must be submitted electronically to the Award Committee Chair, Dr. Joonghwa Lee(firstname.lastname@example.org), by April 15, 2017 at 11:59pm EST.
Any topic that advances Korea-related communication and/or media research is eligible for the award. Proposals must emphasize contributions to relevant research streams and the Korean society in general. All methods, whether qualitative or quantitative, are welcomed.
The proposal should be submitted in a word document with the .doc extension, 12 points, Times New Roman, double-spaced with page numbers, 1-inch margin on each side. Otherwise, the proposal will be disqualified. Hard copies will not be accepted. The proposal should be no more than five pages excluding references, timeline, and other additional materials. It should include the following sections:
1) An overview of the study, stressing the importance of the topic and the fit with Korea related communication and/or media research.
2) A brief literature review citing the most relevant articles and describing where the project fits with past research; This section should include the research questions and/or hypotheses, if applicable;
3) Proposed methods, with as much detail as possible;
4) A proposed timeline from inception of the project to presentation at one of the KACA research sessions at NCA, ICA, or AEJMC in 2018 or 2019. Note: The project must be completed within two years from the date of the business meeting in which the first half of the award is granted.
Include a current curriculum vita for PI and Co-PIs and a detailed project budget. The proposed budget should be within $3,500, showing how the research funds would be used. Indirect costs, personal memberships, and subscriptions to software or journals will not be funded. If matching funds are promised by another source, please include a letter (or e-mail) of support from the department chair or other administrators responsible for those funds.
Any full-time faculty member who is currently teaching, researching or studying communication or media in North America, Korea, or elsewhere is eligible to apply. To be considered for the award, the PI should be a KACA member as of April 15, 2017. In other words, an applicant should be a KACA member at the time of a proposal submission. Members of the KACA Executive Committee (2015-2017) are not eligible to apply. NOTE: EACH SUBMITTER/AUTHOR IS LIMITED TO ONE PROPOSAL.
Half of the awarded funds will be distributed at the start of the project, and the other half will be awarded when the project is completed and presented at one of the KACA research sessions at NCA, ICA, or AEJMC within the two-year deadline. Recipient(s) are required to submit an annual short progress report. Those who do not complete the project in two years from the date of award become ineligible for the additional funding. Proposals will be blindly reviewed by the selected reviewers, KACA Award Committee, and KACA Executive Committee. The committees reserve the right not to present the award.
Call for Interviewees @ 67th Annual ICA Conference
In pursuance of my research interest, I’m looking for political communication researchers who have engaged with this platform in their research projects, and who would be willing to spare 40-45 minutes at the upcoming ICA conference (May, 24-29 in San Diego).
If you are interested please contact me under email@example.com and I will send you an email with more details and a link to an online calendar where you can choose the time slot that works best for you.
Thank you for your interest!
PARTNERSHIP FOR PROGRESS ON THE DIGITAL DIVIDE (PPDD)
2017 INTERNATIONAL CONFERENCE
Best Western Plus Island Palms Hotel & Marina
San Diego, California USA
In conjunction with the 67th International Communication Association Annual Conference
Partnership for Progress on the Digital Divide (PPDD) is the only academic professional organization in the world focused solely on the digital divide and on connecting research to policymaking and practice to strategize actions and catalyze solutions to this pressing societal concern. The academic research and practitioner community represented by PPDD stands ready to advance the agenda on broadband and the digital divide, to address the many challenges and opportunities presented by the digital world, and to further evidence-based policymaking and practice so that all citizens can participate fully in the digital, networked age.
The interdisciplinary Partnership for Progress on the Digital Divide 2017 International Conference brings together researchers, policymakers, and practitioners for an extended, in-depth dialogue about key issues that inform information and communication technologies and the digital divide around the world. The Conference works to identify new areas of necessary, productive focus, foster greater understanding, advance research, and enlighten policy and practice going forward. Confirmed speakers include leaders from the U.S. Department of Commerce National Telecommunications and Information Administration (NTIA) and The French Digital Agency within the Government of France Ministry for the Economy and Finance.
In addition, an optional 23 May 4-Hour Field Trip to our Local Digital Inclusion Program Hosts’ sites offers the opportunity to learn firsthand about innovative initiatives to bridge the digital divide in San Diego. As a major outcome of PPDD 2017, we plan to produce an edited volume of the top papers as well as special issues of our Publishing Partners' journals on specific themes within the digital divide area.
If you would like to present and discuss your work during PPDD 2017 and have it included in the online PPDD 2017 Conference Proceedings and/or if you would like to provide a Position Paper for inclusion in the PPDD 2017 E-Book, please see the Call for Participation (http://www.ppdd.org/conferences/ppdd2017/cfp/) for instructions on how to submit your work for consideration.
If you would like to just attend PPDD 2017 to explore the issues and grow your knowledge and network of connections, please know that you are very welcome and valued in the PPDD Conference Community.
Please join PPDD, our Local Digital Inclusion Program Hosts, and an unprecedented broad multi-disciplinary coalition of co-sponsoring organizations from academic and practitioner communities to share your insights and expertise. Together, we will enrich the dialogue, connect research, policy and practice, and advance the agenda on the digital divide.
Please contact conference [at] ppdd [dot] org with any questions.
If you would like to 1) present and discuss your work during PPDD 2017 and have it included in the online PPDD 2017 Conference Proceedings, and/or if you would like to 2) provide a Position Paper for inclusion in the PPDD 2017 E-Book, we look forward with enthusiasm to your contribution and ask that you please follow the instructions provided at http://www.ppdd.org/conferences/ppdd2017/cfp/ to submit your work. Submissions are welcome from researchers, policymakers, and practitioners at all stages of their careers, from any theoretical and methodological approach, and across multiple disciplines.
1) Deadline to Submit Your 250-Word-Maximum Abstract for Consideration for Presentation: 20 March 2017 11:59 p.m. Hawaii Time
Notification of Acceptance/Rejection: 31 March 2017
If you have visa or other time-sensitive concerns, please submit your work as quickly as possible and email conference [at] ppdd [dot] org to request an expedited review so you can receive notification shortly after submission.
Before we can address the digital divide, we must first understand the nature of life in the digital age, the many challenges and opportunities it presents, and the interplay of influence between technological and social change. Then, in turn, we can fully understand digital inequality; its place alongside other long-standing, persistent issues of social equity, social justice, and media justice; and what it means to be disconnected from the most important technological advancement in communication in a generation and the myriad possibilities it facilitates. Thus, PPDD 2017 invites work that informs issues related to information and communication technologies (ICTs) and the digital divide broadly defined, including but not limited to:
- gaps in access and connectivity
- digital (dis)engagement
- challenges and opportunities
- social and cultural aspects of the divide
- the skills and digital/information literacy needed to interpret, understand, and navigate information presented online and the requisite curriculum
- effective use by individuals and communities
- the impact of socioeconomic factors on user behavior
- the role of motivation, attitudes, and interests
- differences in patterns of usage
- characteristics and conceptualizations of non-users
- the ways in which people use the Internet to create content
- content creation and inequality
- different forms of capital and power relationships, including in terms of content creation, labor, and ownership
- the role of theory in understanding ICTs and digital inequality
- the impact of new and evolving technologies
- the interplay of influence with mobile technologies
- human-computer interaction, human factors, and usability
- socioeconomic and cultural effects
- social equity, social and economic justice, and democracy
- the ethics of digital inequality
- urban and regional planning
- international development
- disability and accessibility
- politics, digital government, digital citizenship, smart cities/citizens/government, civic engagement, adoption issues, and (in)equality
- law and policy and its impacts, including information/telecommunications policy, net neutrality, open access, open source, copyright, Internet filtering software, and censorship
- the digital security divide
- the digital privacy divide
- big data and inequality
- public access initiatives
- practitioner-oriented topics considering aspects of design, management, implementation, assessment, collaboration, challenges, problem solution, and opportunities
- architectural challenges and deployment experiences
- Internet access cost analyses
- the application of research to communities, practice, and public and private sector initiatives
2) Deadline to Submit a Position Paper for the PPDD 2017 Conference E-Book: 17 April 2017 11:59 p.m. Hawaii Time
Critical Arts: South-North Cultural and Media Studies
Call for papers for a special issue on: Participatory Art & Digital Culture
Guest editor: Kris Rutten
Editorial consultant: Leora Farber
In this special issue of Critical Arts we aim to explore participatory art practices that specifically engage with technology and digital media. There has been a growing body of art that focuses on social practices, networks and processes as constituting the artwork itself. This implies that the events that facilitate social interaction and cultural encounter are variously seen as the actual art practice (Siegenthaler 2013). However, because contemporary media culture is characterized by participation, interaction, immersion and collaboration, art practices are challenged to move beyond a “mere” adoption of new technologies. There is a need to explore how technologies are also changing our experience of place, conceptions of intimacy, co-presence and interaction, and to generate new understandings of technological mediation as a feature of social relations (Beaulieu, 2010; Hjorth and Sharp 2014).
We invite papers from researchers, theorists and artists to engage critically with how technology, media and networks open up new avenues to develop practices that examine place and locality, community and communication, interaction and intimacy, proximity and distance, creation and co-creation. Papers can also focus more broadly on the impact of digital technologies on art today, for example by exploring the creative and participatory practices that are made possible by artists working with technology or by collaborations between artists, scientists and technological experts, focusing for example on robotics, virtual/ augmented reality, immersive media or game technology (Gardiner and Gere 2010, Gronlund 2016). Next to full research papers we also invite contributions that can serve as vignettes - short statements and reflections by artists about their practice.
- Deadline for abstracts: Please send your abstracts of 300 words by April 15th 2017 to Kris.Rutten@UGent.be.
- Notification of selected abstracts by: May 15th 2017.
- Deadline for article submission: based on the selection of the abstracts full papers will need to be submitted by: August 15th 2017.
- Information and instructions for authors: http://www.tandf.co.uk/journals/RCRC
All completed manuscripts MUST be uploaded onto the online manuscript portal Scholar One. Go to Critical Arts on the Taylor and Francis site. There is an option on the top left pane of the screen that says ‘submit’, select this then click ‘submit online’ and follow the prompts.
Further inquiries about the special issue: Kris.Rutten@UGent.be
Alternatively, contact the Critical Arts editorial office at firstname.lastname@example.org or the editor-in-chief, Keyan Tomaselli at email@example.com
Critical Arts prides itself in publishing original, readable, and theoretically cutting edge articles. For more information on the history and the orientation of the journal, as well as guidelines for authors, and legal and editorial procedures, please visit: http://www.tandf.co.uk/journals/authors/rcrcauth.asp Critical Arts is now published six times annually and is indexed in the International Bibliography of Social Sciences (IBSS) and the ISI Social Science Index and Arts & Humanities Citation Index and other indexes.
The Graduate Caucus at SFU, School of Communication is pleased to announce the 2017 Critical Studies Conference at SFU / CSC 2017:
(Re)conceptualizing the “margins”: Alterity and resistance in critical and communication theory
April 28-29 | Vancouver, BC
“To be in the margin,” wrote bell hooks in 1984, “is to be part of the whole but outside the main body.” For decades, communication studies has been concerned with trying to define itself as a field of study. Though it is fueled by its wide ranging and diverse scholarship, there is a long history of drawing, and re-drawing, the contours of what is central to communication studies. In the continuous struggle to define our field, an ongoing self-reflexivity is needed. As communication scholars, we need to ask ourselves frank questions about how knowledge is produced and reproduced within the field, and by whom. Power and knowledge are intrinsically intertwined. How does this play out in our discipline? What impact does it have on what we are taught and what we research?
The conference invites presentations that explore various conceptualizations and dialogues of the “margins” and “centre” of communication theory. Re-examining the contours of past, present, and future scholarship within communication theory offers an opportunity to conceptualize, and re-conceptualize, the relationship between dominant and subaltern discourses and illustrate how dialogues within the margins can be mobilized to resist dominant groups. Whose voices are privileged in communication theory? Whose voices go unheard?
This year, CSC 2017 will feature two keynote speakers:
- Janet Wasko, Knight Chair of Communication Research (University of Oregon), IAMCR President.
We welcome a broad range of submissions, from theoretical contemplation to pragmatic considerations of specific cases that explore, critique, or extend issues related to the conference’s general theme. The conference offers a chance to share ideas and receive feedback on current work from researchers of diverse disciplinary backgrounds and institutions. There will also be publication opportunities for presenters who wish to submit revised manuscripts to Stream: Inspiring Critical Thought, the School of Communication’s graduate journal. The conference will take place at SFU Vancouver, situated on un-ceded Coast Salish Territory - the traditional territories of the Musqueam, Squamish and Tsleil-Waututh Nations.
Please submit your abstracts to the conference coordinators, Alicia Massie and Benjamin Anderson at firstname.lastname@example.org by March 15, 2017. Abstracts should be no more than 300 words (excluding references).